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Apollo Magazine

The Muse Room

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More than just copies: Brussels’ Plaster Cast Workshop

Can a copy ever be more authentic, and more informative, than an original work of art?

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(1837), J.M.W. Turner.

Muse Reviews: 21 September

Great British artists in the limelight this week: ‘Late Turner’ at Tate; Christopher Dresser at the Fine Art Society; and Paul Nash on BBC Four

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(2013)

London in Paris: Gilbert & George at Thaddaeus Ropac

Will Gilbert and George’s Scapegoating Pictures have the same impact in Paris as in London?

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The Metropolitan Museum's new plaza opened on Tuesday 9 September.

The Week’s Muse: 20 September

Fountains, house museums and computer connoisseurs: a round-up of recent comment from the Muse Room

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The Great Gallery, 2014 © By kind permission of the Trustees of the Wallace Collection

The Wallace Collection: The Great Gallery reopens

The Great Galley at the Wallace Collections reopens after a two year refurbishment

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(1870), Frédéric Bazille

Can artificial intelligence really identify artistic influence?

Scientists have developed an algorithm that identifies visual affinities between paintings. Are we all out of a job?

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(1973–2009), Bernd + Hilla Becher

Review: Bernd and Hilla Becher at Sprüth Magers

An earnest girl in a Hackney pub once told me she was fascinated by motorway flyovers; ‘I just think they’re…

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Art Outlook: 18 September

What would Scottish independence mean for the arts? Is the Wallace Collection’s Great Gallery as good as they say? And who spends $65 million on a new pavement?

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The Breakfast Room at Sir John Soane's Museum, London.

Ten house museums to visit this year

A few of the best house museums around, from Sir John Soane’s Museum in London to the Frick Collection in NYC

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The Wallace Collection, Hertford House

‘Houses as Museums…Museums as Houses’

What is it that separates a house from a museum, and do we like those separations?

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