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'Ramah (Rachel's Tomb)' (c. 1835), J.M.W. Turner. Donated by E.L. Hartley. Blackburn Museum and Art Gallery

Community conscious? ‘Cotton to Gold’ explores industry and philanthropy

Lancashire collections in London

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'Il Costume Antico e Moderno (Africa)' (detail), Giulio Ferrario II. 4 vols. Palermo: Salvatore Barcelona: 1840–55. Hart Collection, Blackburn Museum and Art Gallery

Gallery: ‘Cotton to Gold’ at Two Temple Place

Some highlights from Two Temple Place’s latest collection of collections

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Tate Modern.

Art Outlook: 29 January

Sponsorship, strikes and self-censorship in London’s top museums; the Smithsonian’s international expansion; Tutankhamun’s broken beard

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Drone Shadow 002.

Reflecting the network: James Bridle’s recent residency and the rise of drones

Surveilling surveillance…

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(2008), Mikhael Subotzky & Patrick Waterhouse.

Portrait of an apartment block: ‘Ponte City’ at the Scottish National Portrait Gallery

The wider significance of ‘Ponte City’

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(1965), François Dufrêne

First Look: ‘Poetry of the Metropolis’ at the Schirn Kunsthalle Frankfurt

The Affichistes used throwaway materials but their legacy endures

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'L’ultimo Kennedy' (1963), Mimmo Rotella © VG Bild-Kunst Bonn, 2015

Gallery: ‘Poetry of the Metropolis’ at the Schirn Kunsthalle Frankfurt

A celebration of the tattered, torn and pioneering work of the Affichistes

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(1959), Francis Bacon.

Jenny Saville rethinks the ‘Rubenesque’ at the Royal Academy

‘La Peregrina’ is like a dip in icy water after Rubens’ opulent works

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(1932), Walter Sickert

New Horizons: British art and flight

The advent of modern aviation had a decisive influence on the art of British modernists

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(1908), Walter Sickert.

Discovery of desire: Sade at the Musée d’Orsay

Libertine, criminal, aristocrat, revolutionary, and prolific author – the Marquis de Sade continues to inspire some great art and exhibitions

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