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Apollo Magazine

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Giuseppe Penone, (2006), Carrara marble,canvas, acrylic, glass microspheres, acacia thorns 
100 x 140 x 6 cm

Review: ‘Giuseppe Penone: Circling’ at the Gagosian Gallery, London

Penone delights in the interplay between man, nature, and art

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Maria Miller.

Editor’s Letter: Culture Secretaries

The new culture secretary, Sajid Javid, must be as visible as possible at arts venues in the coming months

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Book Competition

‘Henri Matisse: The Cut-Outs’ re-examines the late work of this leading figure of modern art

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'The Horse, the Rider and the Clown' (1943–44).

Matisse: April Apollo

Extracts from Emma Crichton-Miller’s article on Matisse and his cut-outs, in Apollo’s April issue

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(detail; 1787–88), Goya (Francisco de Goya y Lucientes).

First Look: ‘Goya and the Altamira Family’ at the Metropolitan Museum of Art

‘Goya and the Altamira Family’ reunites five family portraits by Goya and his collaborator Agustín Esteve

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(1744–7), Philip Mercier.

Look closer: what art historians can learn from museum education

Have we forgotten how to look properly at art?

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'Sculpture in the Home' (installation photograph). Courtesy of Pangolin London

Interview: Polly Bielecka discusses ‘Sculpture in the Home’ at Pangolin

In the 1940s and ’50s, a series of touring exhibitions brought modern British sculpture in from the cold

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from the suite Noa Noa (Fragrant Scent, 1893–4), Paul Gauguin.

Muse Reviews: 13 April

A round-up of the week’s reviews, from 18th-century pastels to contemporary paintings

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'Projet pour la Porte Monumentale de l'Exposition Universelle de 1900' (1898), René Binet

Review: ‘Paris 1900′ at the Petit Palais, Paris

The Petit Palais is the perfect location for ‘Paris 1900′ and its sumptuous exploration of the Belle Époque

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'Richard Mosse – The Enclave' (installation view at the Vinyl Factory Brewer Street Car Park)

Richard Mosse’s ‘The Enclave’ on display in London

Stained pink, Mosse’s film from the Democratic Republic of Congo takes on a nightmarishly surreal aspect

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