CONTENTS May 2008
EDITORIAL
Banqueting with the ancestors
The articles on Chinese art in this issue have been guest-edited by Dame Jessica Rawson, Professor of Chinese Art and Archaeology at the University of Oxford, Warden of Merton College and a member of Apollo's editorial board. Here she reflects on the characteristics of art in China.
ARCHITECTURE
Poste-haste to closure
The post-offices of Britain, restrained, elegant and grounded in neo-Georgian domesticity, are sorely missed when reduced to a tawdry logo outside a supermarket.
Market Review
Record prices were set in almost every area of the market in New York’s Asia Week and buyers were out in force and spending hard at Maastricht. But, despite some pop-star provenances, Victorian decorative arts performed patchily in London.
Collector's Focus
The traditional strength of this market in France and Belgium has been reinforced by recent major sales and the world’s leading fairs, writes .
Market Preview
Spectacular Impressionist and modern paintings come up for sale in New York this month – with some spectacular estimates.
A World Leader in the Study of China
The launch this year of the University of Oxford China Centre heralds a dynamic period in the study of China at Oxford, as Heather Bell explains.
Bodhisattvas, Jewels & Demons
Katherine Tsiang describes the search for sculptures looted from 6th-century Buddhist cave temples in northern China, part of a project for the temples’ digital ‘restoration’.
Offerings from the Bronze Age
Jessica Rawson introduces highlights from Sir Peter Moores’ remarkable collection of ancient Chinese bronzes at Compton Verney, and explains how our knowledge of these ritual vessels is being transformed by archaeological discoveries.
Porcelain raised from the sea
Underwater excavations of shipwrecks are making major additions to our knowledge of the early international trade in Chinese ceramics as well as bringing to the surface objects of great beauty and interest in their own right, as Rose Kerr explains.
Art history in the making
Many of the works in Khoan and Michael Sullivan’s collection of modern Chinese paintings are gifts from the artists, a tribute to the support and friendship the couple offered them when they toiled against repression and poverty, writes Josh Yiu.
Modern art takes to the waves
In 1933 Cunard commissioned paintings from Edward Wadsworth and other leading British artists for its new flagship liner, the "Queen Mary". But, as Abbie N. Sprague explains, artistic expression had to bend to commercial taste.
Made in China
Guy and Myriam Ullens are the creators of the Ullens Centre for Contemporary Art in Beijing. It will draw on their great private collection in Geneva, which Mr Ullens showed to Louise Nicholson.
In search of Sebastiano
Fine as it is, the exhibition currently in Rome on Sebastiano del Piombo suffers from a lack of generosity in loans from some major collections, writes Andrew Hopkins.
Heros and graces
Tate Britain’s exhibition of neo-classical sculpture celebrates the return to esteem of the most admired works of their age, writes Ruth Guilding.
Wright in Liverpool
Hugh Belsey welcomes an illuminating exhibition on a turning-point in Joseph Wright’s career.
Thomas Hope's 'true taste'
This imaginatively staged exhibition pays handsome tribute to a great connoisseur, collector and designer, writes Tim Knox.
Gardening leave
The sculptural integrity in Ivor Abrahams’s depictions of gardens overpowers suggestions of caricature, argues Tim Richardson.
Pintoricchio in dreamland
Perugia’s ambitious survey of one of the greatest artists of renaissance Umbria is both stimulating and challenging, writes Francis Russell.
Communist couture
Any idea that the Chinese were indifferent to fashion is over-turned by this stylish study, writes Robert E. Harrist.
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Golden chopsticks
Spectacular recent finds from a princely tomb have changed our understanding of Ming decorative arts, writes Craig Clunas.
Empresses and elephants
Frances Wood reviews a lively account of the changing roles of the Forbidden City, which focuses on its recent transformations.


