Apollo Magazine

Pasquarosa: From Muse to Painter

The Estorick Collection charts the Italian painter’s career from her days as an artist’s model to her luminous still lifes

Teapot on a Rug(1914), Pasquarosa. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome

Pasquarosa Marcelli began her career as an artists’ model, posing for clients including the painter Nino Bertoletti, whom she later married. By the early 1910s she had dropped her surname, taught herself how to paint and was working as an artist herself. In 1915, she painted the artist Felice Carena, for whom she had previously modelled. Pasquarosa focused largely on still lifes of everyday scenes, loosely rendered in a vivid palette that speaks to the influence of Fauvism. Some 50 of her paintings and drawings are on show at the Estorick Collection in London, on loan from private collections and the Nino and Pasquarosa Bertoletti Archive in Rome (12 January–12 April). Find out more from the Estorick Collection’s website.

Preview below | View Apollo’s Art Diary

Pink Cineraria (1918), Pasquarosa. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome

Still Life with Cat (1918), Pasquarosa. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome

Small Nude (c. 1913), Pasquarosa. Courtesy Archivio Nino e Pasquarosa Bertoletti, Rome

Exit mobile version