The exhibition ‘Campo Cerrado’ takes its name from the homonymous novel by Max Aub and looks to examine Spanish art in the complex and controversial 1940s, a decade that has received little attention and one that exists in a critical and historiographical vacuum, despite its importance in structuring modern sensibility in Spain. Read more.
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The US is planning to eliminate ‘like-kind’ exchanges for artworks, a key tax deferral tool for the art trade
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