‘All the King’s Men’ by Fiona Hall is the masterwork in her 2015 Venice Biennale exhibition Wrong Way Time. Made for the new Australian Pavilion in Venice, this installation includes 20 sculptures suspended in space that are made from military uniforms, bearing camouflage prints from several countries. Teeth, bones, horns and found objects adorn the mask-like heads and their ghostly, skeletal bodies. These hollow people of war and conflict represent the many who have fallen and those who are yet to fall in the name of nationhood. Read more.
Sign up to Apollo newsletters and special offers
In the news
Paganism and Christianity are intertwined in the hoard of rare artefacts found in a princely burial site in Essex
When a million Uyghur Muslims in China are being held in detention, the demolition of mosques comes as no surprise