‘All the King’s Men’ by Fiona Hall is the masterwork in her 2015 Venice Biennale exhibition Wrong Way Time. Made for the new Australian Pavilion in Venice, this installation includes 20 sculptures suspended in space that are made from military uniforms, bearing camouflage prints from several countries. Teeth, bones, horns and found objects adorn the mask-like heads and their ghostly, skeletal bodies. These hollow people of war and conflict represent the many who have fallen and those who are yet to fall in the name of nationhood. Read more.
Sign up to Apollo newsletters and special offers
In the news
The government has pledged £20m of investment in five regions – but cultural institutions are unlikely to be better off than before
It shouldn’t be news that women illustrated manuscripts in the Middle Ages, but there’s no denying the appeal of a recent discovery
Thomas Marks talks to Jonathan T.D. Neil from Sotheby’s Institute of Art about LA’s rapidly expanding art scene – and whether it’s sustainable