Forty separately recorded voices are played back through forty speakers placed in an oval in the space. Visitors are invited to walk throughout the installation, listening to the individual voices of the singers or to absorb the impact of the choir as a whole. The Forty Part Motet is a re-working of Thomas Tallis’s 16th-century composition Spem in Alium, a forty-part choral composition. Read more.
Subscribe to the Apollo newsletter
In the news
The historic city has suffered major damage, but the worst unkindness we could offer it now is to write it off as ‘destroyed’
The greatest Gothic Revival building in the world is facing catastrophe unless MPs clear out