Lynette Yiadom-Boakye’s (born 1977, London) oil paintings depict figures that appear to exist outside of a specific time and place. There are very few references to background, history, activity and place of the individuals and groups of figures in her paintings. This ambiguity, which also resonates in the enigmatic titles given to each work, invites the viewer to consider the subjects as suggestions rather than explicit narratives or specific portraits. At the heart of Yiadom-Boakye’s work is an exploration of the mechanics of painting where she reconstructs the meaning that contemporary painting could hold, in all its unexpected beauty and idiosyncratic details.
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