Tinguely’s sculptures always have an acoustic dimension, which was consciously composed and balanced by the artist as part of the works. They generate noises, sounds, and apparently random music. This musical side reached a climax with the four Méta-Harmonie music machines between 1978 and 1985. Read more.
Most popular
- Recent
- Recent
Podcast
The Masterpiece podcast: episode three
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites
Cosmetic surgery – a Stuart beauty is restored to her natural state