Tinguely’s sculptures always have an acoustic dimension, which was consciously composed and balanced by the artist as part of the works. They generate noises, sounds, and apparently random music. This musical side reached a climax with the four Méta-Harmonie music machines between 1978 and 1985. Read more.
In the news
The recent move of the royal mummies in Cairo was a made-for-TV extravaganza
A dumpy effigy in a church in Stratford-upon-Avon has been mocked for centuries, but new research claims it’s the most accurate likeness of the playwright there is
The Syrian-born, US-based artist talks to Gabrielle Schwarz about his sculptural dioramas of cities ravaged by war – and offers a message of hope for the future