Influenced by film directors Chris Marker, Harun Farocki, and others, Hao Jingban’s (b. 1985, Shanxi) work often uses the language and structure of documentary film to explore the fate of the general population in relation to social movements and the currents of history. Through field research, scenic reconstruction, and narrative montage, her artworks act as historical documents as they explore the fraught relationships between memory and image, event and narrative. Read more.
Subscribe to the Apollo newsletter
In the news
The US is planning to eliminate ‘like-kind’ exchanges for artworks, a key tax deferral tool for the art trade
Should the French government be launching a heritage lottery fund when the UK version is in decline?