Inspired by the migration patterns of Korean red-crowned cranes, Brooklyn-based artist Michael Joo (b. 1966, Ithaca, NY) has created a monumental installation specifically for the Freer|Sackler. The birds’ movements are visualised as lines in space in this combination of painting, sculpture, photography, digital scanning, and printmaking, as Joo continues to blur boundaries between techniques and concepts. Read more.
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Over the centuries Notre-Dame de Paris has become much more than a place of worship – it is a symbol of a nation
The status of the Byzantine church turned mosque turned museum shows no sign of being settled – but perhaps it shouldn’t be