The filmmaker Jean Renoir described how his father “looked at flowers, women and clouds in the sky as other men touch and caress”. In contrast to the habitual conception of Impressionism, which reduces it to “the purely visual”, the exhibition to be shown at the Museum in the autumn of 2016 singles out the central role of tactile sensations in Pierre-Auguste Renoir’s canvases, which are evident in all the different phases of his career and which he expressed in a wide range of genres, including group scenes, portraits and nudes, as well as still lifes and landscapes. Read more.
In the news
If shops can reopen in April, why can’t museums?
Museums in England will have to wait until May to reopen but shops, gyms and libraries are set to open in April. What’s the logic in that?
American museums should not be selling their art to keep the lights on
Deaccessioning rules for US museums have been relaxed to raise money for collection care – and even the Met may take advantage. It’s a slippery slope, says Thomas P. Campbell
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