This exhibition carefully surveys the work of the ‘Divine’ Morales, who was called like this because, as painter and treatise writer Antonio Palomino wrote in the 18th century: ‘He was named the Divine, because all he painted was sacred things, and because he made heads of Christ with such exquisiteness and subtlety in the hair, that it causes those interested in art want to blow on it so that it moves, because it appears as subtle as that which is real.’ Read more.
Sign up to Apollo newsletters and special offers
In the news
The government has pledged £20m of investment in five regions – but cultural institutions are unlikely to be better off than before
It shouldn’t be news that women illustrated manuscripts in the Middle Ages, but there’s no denying the appeal of a recent discovery
Thomas Marks talks to Jonathan T.D. Neil from Sotheby’s Institute of Art about LA’s rapidly expanding art scene – and whether it’s sustainable