Thea Djordjadze makes expansive installations that she develops in situ and in close interaction with the surrounding spaces. The Georgian-born artist begins by exploring the specific qualities of a given exhibition space and then creates work that subtly transforms the perception and possible readings of the architectonic situation. Read more.
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Over the centuries Notre-Dame de Paris has become much more than a place of worship – it is a symbol of a nation
The status of the Byzantine church turned mosque turned museum shows no sign of being settled – but perhaps it shouldn’t be