The painter and illustrator Valerio Adami is widely regarded as an eminent representative of Italian Pop art. His exhibition in the Secession’s Grafisches Kabinett is the artist’s first solo show in Austria and showcases a series of paintings from his less well-known early oeuvre. Created before 1964, these works stand out for the particularly dynamic interplay between expressive abstraction and stylized figuration. Read more.
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Over the centuries Notre-Dame de Paris has become much more than a place of worship – it is a symbol of a nation
The status of the Byzantine church turned mosque turned museum shows no sign of being settled – but perhaps it shouldn’t be