The artist would move churches around, erase rooftops, and even bend the Grand Canal straight if it allowed for a more harmonious scene
Anya Gallaccio is building her own version of Wyoming’s Devil’s Tower in London, using a 3D printer. What does the work say about the relationship between man and nature?
‘Spreading Canvas: Eighteenth-Century British Marine Painting’ at the Yale Center for British Art is a voyage of discovery
3D prints are the new plaster casts
A candid look at the artist’s portraits of his children
‘Terror and Wonder: The Gothic Imagination’, from Bram Stoker and to Wallace and Gromit
The nuances of the new hang might be lost on the non-specialist, but overall the Wallace Collection’s refurbished gallery is magnificent
Playful, interactive, digitally-enhanced: is art straying closer to the video game than ever before?
The relationship between photography and museums is a vexed one. Do attitudes need to change?