Samuel Reilly is a freelance writer in Edinburgh and a PhD candidate at the University of St Andrews.

Le serpent, Graham Sutherland

What not to miss at London Art Fair 2019

This year’s edition of the fair presents modern British works inspired by the Sussex countryside alongside global contemporary art

16 Jan 2019
The Shed under construction, as seen from the High Line, October 2018.

The museum openings not to miss in 2019

The National Museum of Qatar and a centre for street art are among the institutions opening next year

27 Dec 2018
Norman Ackroyd on Malin Head

‘I’m as excited about etching now as I ever have been’ – an interview with Norman Ackroyd

The artist’s etchings capture the mood and meaning of the remotest landscapes in the British Isles

20 Dec 2018
Untitled (Igbo Landing) (group of figures from series; 2018), Gerald Chukwuma. Gallery 1957, Accra

‘Art X Lagos is more like an arts festival than your average art fair’

The liveliness of the international art fair shows that the Nigerian arts scene is going from strength to strength

29 Nov 2018
Black Peter (detail), Joe Bradley

‘There’s something suspicious about painting’ – an interview with Joe Bradley

The painter talks about his attachment to black and the three-dimensional quality of his canvases

25 Oct 2018
Night of the Long Knives I, Athi-OPatra Ruga

What not to miss at 1–54 in London

Ibrahim El-Salahi’s public sculpture and the multimedia dreamworld of Athi-Patra Ruga stand out at this year’s fair

3 Oct 2018
Le Générale Canson, Préfète Duffaut

Frieze Week highlights: protest, painting and dwarf planets

What not to miss in London – including an overview of Haiti’s modern art movement and new works by Kemang Wa Lehulere

1 Oct 2018

How the V&A Dundee is rewriting the history of Scotland

The country’s first design museum is taking a cosmopolitan approach to presenting the national story

14 Sep 2018

Jiří Kolář’s collages cut up reality to devastating effect

The Czech artist’s unsettling work includes a vivid record of the crushing of the Prague Spring

23 Aug 2018
'The List', before its defacement. Credit: Liverpool Biennial/Mark McNulty.

The destruction of The List at the Liverpool Biennial is deeply troubling

The List, which documents the thousands of people who have died trying to reach Europe, was torn down from hoardings in Liverpool

7 Aug 2018
Biyema Byeri reliquary figure (late 19th or early 20th century), Fang Betsi, Moyen-Ogooué, Gabon. Musée d’ethnographie de Genève

Ecstasy and ethnography in Geneva

An exhibition at the MEG urges us to see African religious objects afresh by placing them in contemporary sacred contexts

25 Jul 2018
Alberto Giacometti and Francis Bacon, 1965, (1965) Graham Keen, © Graham Keen

Bacon and Giacometti remain as elusive as ever at the Fondation Beyeler

The Fondation Beyeler ingeniously pairs Bacon and Giacometti in a way that highlights the individuality of both artists

4 Jul 2018
A Sheet of Figure Studies, Peter Oliver

What not to miss at London Art Week

A painting Canova tried to pass off as a Giorgione and a full-length portrait by Artemisia Gentileschi stand out this year

28 Jun 2018
Installation view of a work by John Russell, part of 'Cellular World' at the Gallery of Modern Art, Glasgow International Festival 2018, photo: © Alan Dimmick

Glasgow International plays tricks on the city

Scotland’s most ambitious biennial sets out to disorient – and largely succeeds

4 May 2018
Floater No.28 (unicorn), Derrick Adams

What’s in store at Frieze and 1-54 in New York this week

A tribute to the late gallerist Hudson sets the tone for Frieze New York, and what not to miss at 1-54

2 May 2018
Almond Blossom, (1890), Vincent Van Gogh, Van Gogh Museum, Amsterdam

How Van Gogh imagined Japan

The artist’s collection of Japanese prints gave him a new way of seeing the world

30 Mar 2018