‘There’s something suspicious about painting’ – an interview with Joe Bradley
The painter talks about his attachment to black and the three-dimensional quality of his canvases
What not to miss at 1–54 in London
Ibrahim El-Salahi’s public sculpture and the multimedia dreamworld of Athi-Patra Ruga stand out at this year’s fair
Frieze Week highlights: protest, painting and dwarf planets
What not to miss in London – including an overview of Haiti’s modern art movement and new works by Kemang Wa Lehulere
How the V&A Dundee is rewriting the history of Scotland
The country’s first design museum is taking a cosmopolitan approach to presenting the national story
Jiří Kolář’s collages cut up reality to devastating effect
The Czech artist’s unsettling work includes a vivid record of the crushing of the Prague Spring
Ecstasy and ethnography in Geneva
An exhibition at the MEG urges us to see African religious objects afresh by placing them in contemporary sacred contexts
Bacon and Giacometti remain as elusive as ever at the Fondation Beyeler
The Fondation Beyeler ingeniously pairs Bacon and Giacometti in a way that highlights the individuality of both artists
What not to miss at London Art Week
A painting Canova tried to pass off as a Giorgione and a full-length portrait by Artemisia Gentileschi stand out this year
Glasgow International plays tricks on the city
Scotland’s most ambitious biennial sets out to disorient – and largely succeeds
What’s in store at Frieze and 1-54 in New York this week
A tribute to the late gallerist Hudson sets the tone for Frieze New York, and what not to miss at 1-54
How Van Gogh imagined Japan
The artist’s collection of Japanese prints gave him a new way of seeing the world
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The destruction of The List at the Liverpool Biennial is deeply troubling
The List, which documents the thousands of people who have died trying to reach Europe, was torn down from hoardings in Liverpool