The grey-green of oxidised bronze is common on public buildings throughout northern Europe
Another week, another controversy. Can opponents of the Garden Bridge project still make their voices heard?
Commercial interest in the medium threatens to undermine it
How the MFA Boston is paying tribute to a respected scholar and humanist
But changing an artwork’s title is hardly the same as pulling down a statue
With several art fairs staged every week, are such events damaging to the more traditional art trade, or do they allow greater public engagement with art?
The Bardo Museum in Carthage still bears the scars of last year’s terrorist attack. The best way to support it is to visit
A statue of Cecil Rhodes will stand at Oriel College, Oxford, in place despite calls for its removal, but debates about ‘erasing history’ rumble on
The Finnish arts organisation Checkpoint Helsinki has had its funding cut. Can it survive?
Historic England’s last-ditch efforts to focus public attention on public art
The mayor’s expansionist ambitions are ruining the city’s historic character
What the Arts Council England owes its outgoing Chairman
In the space of five years, Australia has seen five prime ministers, with wildly different attitudes to art and culture
Here’s what we stand to lose if Libya’s heritage cannot be protected.
The gallery has bucked the trend by appointing an internal candidate to its top job
From performance art to painting, David Bowie’s legacy stretches far and wide
The city, unlikely as it seems, is becoming a crucial place to explore contemporary art
‘Attitudes change, fortunately, but…things we now find offensive cannot be airbrushed away.’
Neal Benezra on the reopening of the SFMOMA and why 2016 will be an exciting year for the entire San Francisco Bay Area
High drama under the high seas and issues of ownership and patrimony off the Colombian coast
Louise Nicholson predicts that 2016 will be the year of the Metropolitan Museum of Art in New York
Maggie Gray looks forward to British modernists at Tate Britain and Dulwich Picture Gallery, antiquities at the Metropolitan Museum and the Fitzwilliam, and the Queen’s House at 400
Max Hollein on the link between the ICA’s small but important archival displays, and Baselitz’s early paintings at the Städel Museum