Comment

Do Come In

‘Immersive’ artwork such as Elmgreen & Dragset’s ‘Tomorrow’ at the V&A is touted as the 21st century’s spin on a gesamtkunstwerk, but has the hyperreal already become familiar?

26 Nov 2013

Broken Engagement

Installation art is assumed to be inherently more engaging than other genres – so why are visitors so often left to watch from the wings?

20 Nov 2013

Bubbles

Are steel balloons the new tulip paintings?

19 Nov 2013

Wellcome Questions

‘Foreign Bodies, Common Ground’ – the Wellcome Collection’s current exhibition – is refreshingly self-reflexive

18 Nov 2013

Rehomed

Royal Museums Greenwich’s acquisition of George Stubbs’ Kangaroo and Dingo paintings is the most significant in their history. What’s next for the works?

17 Nov 2013

Cross Hatchings

Wherever tradition clashes with the public interest, there lies the satirist’s pen. Little wonder that cartoonists periodically target museums

16 Nov 2013

Printing Press

3D printing is frequently in the news, and increasingly on public display. Have artists woken up to its potential?

11 Nov 2013

Under Scrutiny

Not every exhibition has to be a blockbuster: ‘The Young Dürer: Drawing the Figure’ is a scholarly show, and all the better for it

11 Nov 2013

The Modern Way

‘California Design 1930–1965: Living in a Modern Way’ has spent two years skirting the edges of the Pacific Ocean, and just landed in Brisbane

10 Nov 2013

Spoiled

Is the huge cache of art discovered recently in Cornelius Gurlitt’s Munich flat in safe hands?

8 Nov 2013

Chicago in London

Judy Chicago is one of the pioneers of feminist art. In London last month, she found time to answer a few questions about her work

7 Nov 2013

Scott’s Irish

Why the retrospectives to Eileen Gray (IMMA, Dublin) and William Scott (Ulster Museum, Belfast) shouldn’t dwell on their Irish roots

6 Nov 2013

Eye on the Prize

The Turner Prize invites interaction from its audience in Derry. Of the four nominees, it’s Laure Prouvost who really gets you thinking

6 Nov 2013

Arch Enemies

There is no convincing moral argument against it: rebuild the Euston Arch!

5 Nov 2013

Better Out Than In?

What is the relationship between art and the market? And is an artist such as Banksy really better out than in?

4 Nov 2013

A Matter of Taste

The Ecole des Beaux-arts – now controversially sponsored by Ralph Lauren – is at the centre of debates about the relationship between art and luxury in France

1 Nov 2013

Pastures New

Shoreditch’s EB&Flow gallery has changed its name to BERLONI and relocated to Fitzrovia, where the grass is literally greener…

31 Oct 2013

Lisbon Looks East

The Museu do Oriente in Lisbon looks at Portugal’s recent links with the East as well as its longer history in the region

29 Oct 2013
Apollo

Apollo’s Agenda

Apollo is pleased to announce the launch of Agenda – an online guide to current events and exhibitions across the globe

28 Oct 2013

Ghost House

Rachel Whiteread’s ‘House’ was unveiled 20 years ago today. It stood for barely three months, but its influence endures

25 Oct 2013

A Tribute to Anthony Caro

Sir Anthony Caro was among the giants of modernism. We can be certain that his influence will be felt for decades to come

25 Oct 2013

Anthony Caro

Apollo is deeply saddened to hear of the loss of Sir Anthony Caro, the influential British sculptor who died yesterday at the age of 89

24 Oct 2013

Legacies

Rebecca Morrill discusses her work at the Contemporary Art Society to expand and strengthen public art collections in the North East

23 Oct 2013

Sex on Show

They were once kept under lock and key, and are still taboo in Japan, but both the British and Fitzwilliam Museums are celebrating shunga prints as art this autumn

23 Oct 2013