‘Immersive’ artwork such as Elmgreen & Dragset’s ‘Tomorrow’ at the V&A is touted as the 21st century’s spin on a gesamtkunstwerk, but has the hyperreal already become familiar?
Installation art is assumed to be inherently more engaging than other genres – so why are visitors so often left to watch from the wings?
‘Foreign Bodies, Common Ground’ – the Wellcome Collection’s current exhibition – is refreshingly self-reflexive
Royal Museums Greenwich’s acquisition of George Stubbs’ Kangaroo and Dingo paintings is the most significant in their history. What’s next for the works?
Wherever tradition clashes with the public interest, there lies the satirist’s pen. Little wonder that cartoonists periodically target museums
3D printing is frequently in the news, and increasingly on public display. Have artists woken up to its potential?
Not every exhibition has to be a blockbuster: ‘The Young Dürer: Drawing the Figure’ is a scholarly show, and all the better for it
‘California Design 1930–1965: Living in a Modern Way’ has spent two years skirting the edges of the Pacific Ocean, and just landed in Brisbane
Is the huge cache of art discovered recently in Cornelius Gurlitt’s Munich flat in safe hands?
Judy Chicago is one of the pioneers of feminist art. In London last month, she found time to answer a few questions about her work
Why the retrospectives to Eileen Gray (IMMA, Dublin) and William Scott (Ulster Museum, Belfast) shouldn’t dwell on their Irish roots
The Turner Prize invites interaction from its audience in Derry. Of the four nominees, it’s Laure Prouvost who really gets you thinking
What is the relationship between art and the market? And is an artist such as Banksy really better out than in?
The Ecole des Beaux-arts – now controversially sponsored by Ralph Lauren – is at the centre of debates about the relationship between art and luxury in France
Shoreditch’s EB&Flow gallery has changed its name to BERLONI and relocated to Fitzrovia, where the grass is literally greener…
The Museu do Oriente in Lisbon looks at Portugal’s recent links with the East as well as its longer history in the region
Apollo is pleased to announce the launch of Agenda – an online guide to current events and exhibitions across the globe
Rachel Whiteread’s ‘House’ was unveiled 20 years ago today. It stood for barely three months, but its influence endures
Sir Anthony Caro was among the giants of modernism. We can be certain that his influence will be felt for decades to come
Apollo is deeply saddened to hear of the loss of Sir Anthony Caro, the influential British sculptor who died yesterday at the age of 89
Rebecca Morrill discusses her work at the Contemporary Art Society to expand and strengthen public art collections in the North East