Apollo’s March Forum asks what should be done with ‘fake’ paintings
Christie’s is branching out into kinetic art – but what exactly is meant by the term?
Putting together a new fair is a challenge – it needs to have a distinctive direction to it
Apollo’s March issue is now on sale, and museums and markets have been key topics for discussion in the Muse Room this week
Trophy works by hot young artists are frequently sold repeatedly in a short space of time. What does it mean for the art market?
Our weekly round-up from the Muse Room: art in the rubbish bin; a president’s apology; and the great ideas behind art and design
Now here’s a thorny discussion around art, value and vandalism…
George Clooney and Boris Johnson spar over the repatriation of the Parthenon marbles
If passed, the law would remove a significant barrier for families trying to recover Nazi-looted items
Cultural impresario Rajeev Sethi is creating probably the world’s most art-filled and interesting airport, Terminal 2 at Mumbai
This week brought the sad news of the deaths of Nancy Holt and Patrick Scott
Looking at the two museums side by side – which one do you think looks more radical?
Patrick Scott has died aged 93, on the eve of his retrospective exhibition at IMMA
It was only a matter of time before the art world went virtual…
The NGI is 150 years old. Its holdings have been enriched by several benefactors. If only the state were as generous
A selection of this week’s musings: fakes, the Fourth Plinth and some famous faces
The Queen’s Gallery’s two current shows throw the question of private collecting and its relationship to artistic patronage into sharp relief
And thus it came to pass. ‘Really Good’ will take up its position in 2016…10ft tall and hollow in every sense
Christie’s withdrew 85 works by Joan Miró from its London auctions this week, in light of ongoing legal disputes in Portugal
I’m genuinely not sure how much artists can bring to the table when it comes to the subject of space
It’s surely the worst possible outcome of Fake or Fortune, to find out you’ve spent a small fortune on a fake you’re not even allowed to keep
Our February Forum asks ‘Have traditional museum and exhibition catalogues had their day?’
You may come to the Museum of the Order of St John for its ‘Caravaggio’, but you’ll stay for the rich stories