Reviews

River God (c. 1526–27), Michelangelo Buonarroti (1475–1564). Accademia delle Arti del Disegno, Florence

‘An age riven with contradictory impulses’

The Palazzo Strozzi makes the most of the tensions that fuelled the cinquecento’s creative energy

15 Nov 2017
Portrait of John G. Johnson (1917), Conrad F. Haeseler. Philadelphia Museum of Art, gift of Miss Julia W. Frick and Sidney W. Frick

Rediscovering a priceless collection at the Philadelphia Museum of Art

A century after it was left to the city of Philadelphia, John G. Johnson’s art collection continues to surprise

13 Nov 2017
Manifesto by Julian Rosefeldt (starring Cate Blanchett)

A moving medley of manifestos

Julian Rosefeldt’s new film looks again at the emotionally charged, political, performative texts that have shaped the course of culture

13 Nov 2017

The medieval marvels in Durham Cathedral’s kitchen

Among the treasures of St Cuthbert in Durham are several of the most remarkable medieval objects to be seen anywhere

11 Nov 2017
Self-Portrait (detail; c. 1650–55), Bartolomé Esteban Murillo. © The Frick Collection

Face to face with Murillo at the Frick

Bartolomé Esteban Murillo’s rare and inventive portraits are on display in New York after a major research and conservation project

9 Nov 2017
Odalisque in Grisaille (c. 1824–34), Jean-Auguste-Dominique Ingres and workshop. © The Metropolitan Museum of Art / Art Resource / Scala, Florence

The artists who gave up colour

Artists throughout the ages have painted in black and white or monochrome. What is the appeal of art without colour?

8 Nov 2017

Keith Vaughan’s private drawings are full of hidden longing

These erotic fantasies reveal how painfully separate the artist kept his private and public lives

4 Nov 2017
Returning to the Trenches (1916), C.R.W. Nevinson.

The art of war at the Met

This exhibition at the Metropolitan Museum of Art tries to register the gap between pre-war assumptions and the First World War’s brutal reality

3 Nov 2017
Still from the opposite The Opposite of Time (2017) by Andy Holden. 'Andy Holden & Peter Holden: Natural Selection' (2017), an Artangel commission. Photo: Marcus J. Leith

Why Andy Holden flew back to the nest

Artist Andy Holden has collaborated with his father, the ornithologist Peter Holden, on an Artangel project exploring our fascination with ‘home’

2 Nov 2017
Grand Boules (2009), Sheila Hicks. © Sheila Hicks. Courtesy of Alison Jacques Gallery, London

The woven wonders of Sheila Hicks

The artist’s textile works reveal the versatility and power of a medium that has been widely overlooked

31 Oct 2017

A history of conflict at the Institut du Monde Arabe

These responses to the tumultuous history of the Arab world contain a surprising amount of hope

27 Oct 2017
Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890 (1980), Paul Signac. Courtesy of the Museum of Modern Art, New York

MoMA’s collection highlights fail to shine in Paris

MoMA’s ‘greatest hits’ are superb, of course – but are they a little too familiar?

26 Oct 2017
Installation view of Triptych (1970–2015) at Spike Island in 2017, Installation view of Triptych (1970–2015) at Spike Island in 2017, courtesy the artist and Kukje Gallery

Kim Yong-Ik steps back into the spotlight

The Korean painter sabotaged his promising career in 1981, but things seem to be looking up for him again

26 Oct 2017
Caesar (c. 1908), Fabergé. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017

Royal pets and Russian revolutionaries

Two exhibitions at the Sainsbury Centre in Norwich demonstrate the gulf between royal and popular culture in the build-up to and aftermath of the 1917 revolution

24 Oct 2017
The Great Leveller (detail; 2010), Alexander James

Why are artists obsessed with death?

To devote an entire show and a book exclusively to artists’ images of death – and nothing else – seems profoundly odd

23 Oct 2017
Vincent (Robert Gulaczyk).

A moving picture of Vincent van Gogh

The new film ‘Loving Vincent’ has its mawkish moments, but its oil-painted imagery sets it apart

20 Oct 2017
Harbor Marina (Morning), Memphis, TN (2000), Alec Soth. © Magnum/Alec Soth. Image courtesy of Beetles+Huxley and Sean Kelly Gallery, NY

Taking notes with Alec Soth

Soth’s photographs in ‘Sleeping by the Mississippi’ are beautiful and intriguing, but the stories behind them bring them to life

17 Oct 2017
The print sller (detail; 1675–96), Jan van Somer. Photo © Rijksmuseum, Amsterdam

The art market in the Forum

A new exhibition at the Bucerius Art Forum in Hamburg looks at how the market for art changed in 17th-century Holland

16 Oct 2017

How the French Rothschilds turned their private passions into public gifts

A monumental new study argues that ‘the patronage of the French Rothschild family is a European history of taste’

14 Oct 2017
Tate St Ives by Jamie Fobert Architects. Photo © Hufton+Crow

The international mission of Tate’s Cornish outpost

Tate St Ives reopens to the public this autumn following the completion of a major expansion

13 Oct 2017
Mattias Härenstam, Lorck Schive Kunstpris 2017. Photo: TKM/ Susann Jamtøy

Norway’s top art prize brings the focus back home

The four artists shortlisted for this year’s Lorck Schive Kunstpris all find ways of challenging local artistic traditions

11 Oct 2017
Pamela and Mr B. in the Summer House, by Joseph Highmore, Joseph Higmore, The Fitzwilliam Museum.

The Foundling Museum brings Joseph Highmore out of the shadows

Joseph Highmore’s morality tales are just as engaging as those of his contemporary William Hogarth

10 Oct 2017
Art Is (Girlfriends Times Two) (1983/2009), Lorraine O'Grady. Courtesy the artist and Alexander Gray Associates, New York; © Lorraine O'Grady

Debates in America had a powerful impact on black British artists

‘Soul of a Nation’ is the most significant contribution to debates around black art to date

7 Oct 2017

Thomas Gainsborough, the good-time guy

James Hamilton’s biography of Thomas Gainsborough presents the painter as a lad about town

6 Oct 2017