‘L’Homme double’ (1997), Christine Borland. Image courtesy of the artist Maggie Gray 30 June 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you First Look: From Rococo to Revolution at the Getty Center French 18th-century drawings from private Los Angeles collections go on display at the Getty Book Competition ‘Sir Ambrose Heal and the Heal Cabinet Factory 1897–1939’ Review: ‘Mario Schifano 1960−67’ at Luxembourg & Dayan Focusing on seven key years in Schifano’s incessant artistic metamorphosis Leave a comment Cancel replyYour email address will not be published. Required fields are marked *Comment * Name * Email * Save my name, email, and website in this browser for the next time I comment. Δ
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