Current Issue
April 2025
In this issue
The Frick returns to Fifth Avenue
An interview with Oliver Beer
How the Acropolis became modern
In praise of ‘degenerate’ art
Also: The duchess who scandalised Spain, why the market for women’s art is slowing, Dutch paintings at Apsley House, how Bugatti built a style icon, the sensational designs of Alphonse Mucha, and a preview of Art Dubai; reviews of Gertrude Abercrombie in Pittsburgh, Medardo Rosso in Vienna, and a history of image-eating. Plus: Will Wiles on a French avant-garde portrait with a family connection
‘Archives are the closest thing we have to a time machine’
Past issues
March 2025
How to give back looted objects | An interview with Alex Da Corte | Versailles enters the 21st century
February 2025
Can American art escape the culture wars? | Poking fun at 18th-century Paris | Donald Duck’s fowl play
January 2025
The art of divination | an interview with Jake Grewal | will the market recover in 2025?
December 2024
Rachel Ruysch | What museums think about climate protests | Apollo Awards 2024
More from Apollo
Gilty pleasures – Versailles in the 21st century
With new leadership and restored rooms that haven’t looked this good since the Ancien Régime, the palace is entering a new golden era
The rise of performance art in Renaissance Italy
An accomplished musician as well as a painter, Lorenzo Costa was perfectly placed to capture the changing fashions and shifting social etiquette of his day
Celia Paul faces the ghosts of her past
In recent portraits and seascapes the painter ponders time and memory, and the legacy of Lucian Freud and co.
How to give back looted objects
UK museums are hamstrung by outdated laws around restitution. It’s time for politicians to end the impasse and give them greater autonomy over their collections