Past Issue
April 2022
• What was really behind Surrealism?
• An interview with Cecilia Alemani, Artistic Director of the Venice Biennale
• Revealing the mystery of Bassano’s Quails
• The Venice Pavilions you must see
Plus: Beyond the Biennale, greenwashing in museums, what we’re losing with Bastion House
Inside this issue
Past issues
May 2023
Roy Lichtenstein | Jaune Quick-to-See Smith | Walter Hopps
April 2023
Hilma af Klint | Canova | Vermeer
March 2023
Craft | Picasso | The Belvedere
February 2023
Christopher Wren | Zineb Sedira | Bibliothèque nationale
More from Apollo
How Barbara Hepworth got into a new groove
The Palais de Danse in St Ives allowed the sculptor’s work to grow in ambition
The irresistible cool of Bernice Bing
The Asian Art Museum is reviving interest in a painter who was at the heart of San Francisco’s arts scene in her lifetime, but all too quickly forgotten after her death
Why does Surrealism feel so contemporary?
As the movement approaches its 100th anniversary, six experts explain why it continues to inspire artists, collectors and curators today
Jaune Quick-to-See Smith remakes America
The artist who has long campaigned for the recognition of Native American artists is changing how we look at the art of the United States