Apollo Magazine

Park Dae Sung: Virtuous Ink and Contemporary Brush

The contemporary ink-and-wash painter puts a modern spin on the traditional Korean art form at LACMA

Snow at Bulguk Temple (1996), Park Dae Sung. © Park Dae Sung

Snow at Bulguk Temple (1996) (1996), Park Dae Sung. © Park Dae Sung

The Los Angeles County Museum of Art (17 July–11 December) shows how Park Dae Sung has put a contemporary spin on the traditional art of ink-and-wash painting, The Korean artist’s works often reimagine the landscapes typically portrayed by Chinese and Korean ink masters. Among the highlights are Diamond Mountain (2004), a depiction of the Korean Peninsula’s best-known mountain ranges from a disorienting bird’s-eye view. Presenting a broad range of works by the artists, the exhibition also includes six of Park’s large-scale works alongside two smaller pieces, as well as pieces such as Snow at Bulguk Temple (1996), in which the artist uses the natural luminescence of hanji, Korean mulberry paper, to capture the whiteness of the snow. Find out more on LACMA’s website.

Preview below | View Apollo’s Art Diary here

Snow at Bulguk Temple (1996), Park Dae Sung. © Park Dae Sung

Blue Mountain and White Cloud (2013), Park Dae Sung. © Park Dae Sung

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