Maquette for Flat Bird (1956), Bernard Meadows. Image courtesy of Pangolin London; Photography by Steve Russell Maggie Gray 13 April 2014 Share Twitter Facebook LinkedIn Email Share Twitter Facebook LinkedIn Email Recommended for you Review: ‘Giuseppe Penone: Circling’ at the Gagosian Gallery, London Penone delights in the interplay between man, nature, and art First Look: ‘Somewhat Abstract’ at Nottingham Contemporary Alex Farquharson tells us more about the exhibition, the artists, and the unexpected origins of the show’s title Curators, connoisseurship and the art of looking Connoisseurship is still valuable, and many art historians know it Leave a comment Cancel reply Your email address will not be published. Required fields are marked *Comment Name * Email *
