Apollo Magazine

Rosa Barba: The Ocean of One’s Pause

Covering the past 15 years of the artist’s career, this show unites film with kinetic sculpture and live performance to explore the power of light and sound

Still from Charge (2025) by Rosa Barba, co-commissioned by the Museum of Modern Art, New York and the Vega Foundation, Toronto. © Rosa Barba

In the hands of Rosa Barba, film is both ‘an immaterial medium that carries information and a physical material with sculptural properties’. Celebrating the potential of film as a kind of archive, a means of personal storytelling and a physical object in its own right, this show at MoMA covers the last 15 years of Barba’s career (3 May–6 July), comprising not only moving-image works and kinetic sculptures but also live performance. The exhibition takes its title from a work called The Ocean of One’s Pause, in which vocal and instrumental frequencies – played and sung live by Barba and two musicians – prompt a cascade of imagery. Also on show here is Charge, a 25-minute film shot on 35mm and commissioned by MoMA and the Vega Foundation in Toronto, which explores the role of light as a stimulus for social and ecological transformation.

Find out more from MoMA’s website.
Preview below | View Apollo’s Art Diary

Still from Charge (2025) by Rosa Barba, co-commissioned by the Museum of Modern Art, New York and the Vega Foundation, Toronto. © Rosa Barba

Still from Charge (2025) by Rosa Barba, co-commissioned by the Museum of Modern Art, New York and the Vega Foundation, Toronto. © Rosa Barba

Still from Charge (2025) by Rosa Barba, co-commissioned by the Museum of Modern Art, New York and the Vega Foundation, Toronto. © Rosa Barba

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