Apollo Magazine

In Touch

Palazzo Strozzi, Florence

Sundial for Spatial Echoes (2019), Tomás Saraceno.

Sundial for Spatial Echoes (2019), Tomás Saraceno. Photo: © Studio Tomás Saraceno, 2019; Courtesy the artist; Andersen’s, Copenhagen; Ruth Benzacar, Buenos Aires; Tanya Bonakdar Gallery, New York/Los Angeles; Pinksummer contemporary art, Genoa; Esther Schipper, Berlin; Bauhaus-Museum Weimar; Heike Hanada_laboratory of art and architecture

While museums around the world are shuttered due to the Covid-19 pandemic, Apollo’s usual weekly pick of exhibition openings will be replaced by a selection of digital initiatives providing virtual access to art and culture.

Following the lead of Tomás Saraceno’s exhibition ‘Aria’, which explored themes of interconnectivity and alternative futures (and was scheduled to run at the Palazzo Strozzi until 19 July), the ‘In Touch’ initiative uses artists’ videos, essays, and images to explore how art can bring us together at a time of physical isolation. Essays by the museum’s director Arturo Galansino reflect on the ideas raised in Saraceno’s exhibition; there are also videos with messages from artists including Saraceno, Ai Weiwei, and Marina Abramović. Find out more from the Palazzo Strozzi’s website.

Preview below | View Apollo’s Art Diary here

Tomás Saraceno discussing his artwork Particular Matter(s) Jam Session in a video on the Strozzi’s website

Marina Abramović delivering a message to Italy in a video for the Palazzo Strozzi

Screenshot of Arturo Galansino’s online essay ‘Like a Spider Web’

Exit mobile version