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The Modern Way
‘California Design 1930–1965: Living in a Modern Way’ has spent two years skirting the edges of the Pacific Ocean, and just landed in Brisbane
Spoiled
Is the huge cache of art discovered recently in Cornelius Gurlitt’s Munich flat in safe hands?
Chicago in London
Judy Chicago is one of the pioneers of feminist art. In London last month, she found time to answer a few questions about her work
Scott’s Irish
Why the retrospectives to Eileen Gray (IMMA, Dublin) and William Scott (Ulster Museum, Belfast) shouldn’t dwell on their Irish roots
Eye on the Prize
The Turner Prize invites interaction from its audience in Derry. Of the four nominees, it’s Laure Prouvost who really gets you thinking
Better Out Than In?
What is the relationship between art and the market? And is an artist such as Banksy really better out than in?
A Matter of Taste
The Ecole des Beaux-arts – now controversially sponsored by Ralph Lauren – is at the centre of debates about the relationship between art and luxury in France
Pastures New
Shoreditch’s EB&Flow gallery has changed its name to BERLONI and relocated to Fitzrovia, where the grass is literally greener…
Lisbon Looks East
The Museu do Oriente in Lisbon looks at Portugal’s recent links with the East as well as its longer history in the region
Apollo’s Agenda
Apollo is pleased to announce the launch of Agenda – an online guide to current events and exhibitions across the globe
Ghost House
Rachel Whiteread’s ‘House’ was unveiled 20 years ago today. It stood for barely three months, but its influence endures
A Tribute to Anthony Caro
Sir Anthony Caro was among the giants of modernism. We can be certain that his influence will be felt for decades to come
Anthony Caro
Apollo is deeply saddened to hear of the loss of Sir Anthony Caro, the influential British sculptor who died yesterday at the age of 89
Legacies
Rebecca Morrill discusses her work at the Contemporary Art Society to expand and strengthen public art collections in the North East
Sex on Show
They were once kept under lock and key, and are still taboo in Japan, but both the British and Fitzwilliam Museums are celebrating shunga prints as art this autumn
No Alternative?
There are noble ideals (and some interesting artists) at work, but The Other Art Fair and Moniker’s crowded display doesn’t give the art a chance
Multiple Choice
With some excellent editions and a spacious layout, Multiplied at Christie’s South Kensington is a welcome respite from a frenetic week
Same Old Story?
Frieze London and Frieze Masters form part of a wider curatorial trend: in Apollo’s October issue, James Cahill examines the juxtaposition of historical and contemporary art
Catalogue Photography
Dayanita Singh’s exhibition at the Hayward Gallery is curious curatorial blend: archive, library and gallery combined
All American
MoMA dusts off some treasures in an attempt to prove that there is no ‘problem’ with its American collection
Iconoclasm Today
Tate Britain’s ‘Art Under Attack’ fails to address acts of contemporary iconoclasm, such as the destruction of the Chartist Mural in Wales
Friezing Outside
Too many young dealers view Frieze as the gatekeeper to artistic fame and fortune, and are desperate to come in from the cold
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Under Scrutiny
Not every exhibition has to be a blockbuster: ‘The Young Dürer: Drawing the Figure’ is a scholarly show, and all the better for it