Interviews
Jonathan Ruffer’s grand plans for Auckland Castle
He’s saved the castle’s Zurbarán paintings; now he wants to transform the town into a hub for Spanish art
Black & White: Interview with William Kentridge
For the South African artist William Kentridge, everything begins with printmaking
England’s history in photographs: highlights from ‘Picturing England’
Fascinating photographs from an extraordinary collection
Pablo Bronstein on Chatsworth, the Grand Tour and his love of delft
‘There’s an element of me that’s contrarian’
My Masterpiece Selection: Amanda Levete
From Lloyd Wright’s Guggenheim to ceramics at the V&A: the architect selects her favourite masterpieces
My Masterpiece Selection: Anita Zabludowicz
‘My ultimate masterpiece is the home that I have lived in for 15 years’
Copying the classical: Interview with Salvatore Settis
Classical art is a hidden category of our contemporary culture
Classical and contemporary connections: Interview with Germano Celant
The Prada Foundation has no intention of being an ‘ego-museum’
My Masterpiece Selection: Idris Khan
The artist on his appreciation of Cy Twombly, the Rothko Room, and a particularly delicious dal
Museums must work together to combat cultural destruction
Julian Raby, director of the Smithsonian’s Freer and Sackler galleries, speaks to Apollo
My Masterpiece Selection: Gary Tinterow
‘I have selected some objects that both resonate with me and also with one another’
‘It was a challenge, but I have grown from it’ – Shirin Neshat on her latest work
‘I never feel accomplished’
Dealer’s Choice: the story behind Axel Vervoordt
Boris Vervoordt on living with art and ‘leaping into the void’
Made in China: the ‘fake’ Fragonard that fooled Dulwich
Doug Fishbone hid a cheap Chinese replica in the Dulwich Picture Gallery and hardly anybody noticed
First Look: Modern art and television at the Jewish Museum
When people talk about the ‘avant-garde’, they don’t normally have television in mind
The forward-thinking director behind Frankfurt’s museums
Max Hollein discusses the challenges and rewards of running not one, but three, institutions
How to unlock the Victoria and Albert Museum
There are some very strange objects on show at ‘All of This Belongs to You’. Does the ambitious exhibition succeed in opening up the collection?
Archival Impulse: an interview with Kader Attia
Hannah Gregory meets Kader Attia ahead of a major retrospective of his work in Lausanne
The Met brings out the best surprise at Asia Week New York
The Met steals the show at Asia Week New York
The Drawing Biennial is back
The fundraising exhibition and auction has emerged, somewhat paradoxically, as a highlight in the gallery’s programme
Can Iraq’s Antiquities be Saved?
What is the extent of the damage in Iraq and is enough being done by the international community?
The Corning Museum of Glass unveils new contemporary galleries
The Corning’s new wing dedicated to new developments in glass art and design opens this week
Richard Long: The Last Amateur
Nearly 50 years ago, Richard Long transformed a simple walk into a radical act. The artist talks to Apollo about mud and mark-making, his new prints, and why he can’t stop walking
Remaking Van Gogh’s Sunflowers: the Relievo Collection
It’s now possible to buy exact replications of Van Gogh paintings from the Van Gogh Museum. How are they produced, and why?
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‘This is to art what constitutional monarchy is to kingship’ – Jonathan Yeo’s portrait of Charles III, reviewed