Hello, I Love You
Daniel Richter is one of most influential artists of his generation. His method consists in repeatedly questioning the possibilities of painting, for which he gives the following reason: “I don’t believe in technique. For me, painting is a form of thinking, and I keep control over the things required for this form of thinking.” For the artist, developing a continuously new, different pictorial language is like working against one’s own routine. Remaining loyal to his method, his first solo exhibition in Frankfurt presents a concentrated selection of his most recent works in which he thinks about painting and paints thinking.
Suzanne Valadon’s shifting gaze