Interviews

Film still of A Single Voice (2017) by Susan Philipsz (b. 1965).

‘I’m interested in the architectural concerns of sound’

Susan Philipsz talks about her new work at BALTIC, dismantling an opera about space, and the power of the human voice

30 Oct 2017
Soccer Player, (1964), Ilya Kabakov, private collection. © Ilya and Emilia Kabakov

Back in the USSR: an interview with Ilya and Emilia Kabakov

Ilya and Emilia Kabakov are a formidable artistic partnership, whose work takes a piercing look at life in the Soviet Union

19 Oct 2017
Detail of Nathalie Du Pasquier's 'Other Rooms' installation at Camden Arts Centre, 2017.

‘I wanted to do something I have never done before’

Nathalie Du Pasquier talks about trying something different at the Camden Arts Centre, and the difference between art and design

10 Oct 2017
Wayne Thiebaud, photographed in front of Fields and Furrows (2002), in 2013. Photo: Sacramento State/Mary Weikert

Geometry, pastries and paint: an interview with Wayne Thiebaud

‘I started painting these triangles and turning them into pies. I thought, “My God! I’m done in! Nobody will ever take me seriously!”’

16 Sep 2017
David Lamelas. Photo: Celeste Leeuwenburg

‘I think of myself as a producer of ideas’

Pioneering conceptual artist David Lamelas on space, identity, and taking advice from Anthony Caro

28 Aug 2017
Carolee Schneemann holding a Venetian lion mask, photographed in London in May 2017, Photo: Benjamin McMahon

Painting for pleasure: an interview with Carolee Schneemann

Carolee Schneemann talks about capturing the moment – and explains why ‘performance art’ is a demeaning term

12 Aug 2017
Adoration (after Jan Gossaert) (detail; 2015–16), Raqib Shaw. Photo: White Cube, Ben Westoby; © Raqib Shaw

‘Your integrity towards your art is what matters’

Raqib Shaw discusses working in silence, the perks of porcupine quills, and how his native Kashmir inspired his love of detail

8 Jul 2017
Frank Bowling, photographed in his studio in London in April 2017.

‘My life has always been about painting’

Frank Bowling has been experimenting with paint for six decades – but it still surprises him

1 Jul 2017
Ant Farm at Yang Zhen (Beijing), China (2003–10), Wim Delvoye. Courtesy Studio Wim Delvoye, Belgium

‘The Cloaca are machines, they’re animals, they’re us’

Wim Delvoye discusses merde-making machines, mass production, pig tattoos and Europe’s messy future

29 May 2017

‘Everything I know comes from painting’

The possibilities of paint are inexhaustible, says the German artist Markus Lüpertz

20 May 2017