A residency in the city turned out to be a watershed for the painter’s life and art. ‘I wanted to shift the focus,’ she tells Apollo
Charles Greig has spent decades assembling an outstanding collection of Anglo-Indian art. As he donates much of it to the Tate, he explains why he has chosen to do so and why these paintings matter
The executive director of Frieze Fairs talks to Apollo about navigating a choppy market and how to become a truly global enterprise
Rüger, who took over as director last year, talks to Apollo about what makes the Frick’s collection stand out – and the museums he looks to for inspiration
The founders of the New York gallery talk to Edward Behrens about shaping the market for work by modern and contemporary women artists
Curator Sang-ah Kim talks to Apollo about the British Museum’s sweeping survey of art from the Korean peninsula
Elizabeth Dee, founder of Independent 20th Century, talks to Apollo about challenging the idea of what an art fair can be
The founder of the Bunker Artspace in West Palm Beach talks to Apollo about a lifetime of collecting modern and contemporary art
Ahead of a major retrospective, the photographer looks back at a long career spent documenting – and shaping – queer life in Britain, India and beyond
As art thefts keep hitting the headlines, a special agent from the FBI’s Art Crime team talks to Apollo about why criminals keep stealing art that is almost impossible to sell and how institutions can better protect themselves
Curator Wolf Burchard explains how an exhibition of colossal carpets at the Met in New York celebrates a unique chapter in art history
The painter’s commission for the Courtauld Gallery draws on her love of early Italian painting, applying lessons from Giotto, Cimabue and Piero della Francesca to modern subjects
The photographer behind the popular ‘I Spy’ picture-riddle children’s books talks to Apollo about the method behind his mind-boggling optical illusions
Xavier Salomon explains his vision for the renovated and rehung Gulbenkian Museum and its collection full of ‘absolute stars’
The Scottish artist may not currently have a physical studio, but finds her dining room table to be a useful alternative
The sculptor knows something about scale, which, as he tells Apollo, is ‘the most mysterious, strange, poetic thing’
When David Hockney wrote a book arguing that many Old Master painters used optical devices, the idea was hotly debated by art historians. In 2010, he talked to Martin Gayford about his unorthodox and firmly held belief
The Argentine-born pioneer of kinetic art has died at the age of 97. In 2020 he talked to Gabrielle Schwarz about his experiments in form and colour and a life devoted to trying new things
The co-founder of Old Masters gallery Lullo Pampoulides talks to Apollo about the importance of fairs, what happened after Brexit and the collapse of the mid market
The photographer talks to Apollo about how she prepared to represent New Zealand at the Venice Biennale – all without a studio
The artist moves between studios in New York and Puerto Rico, where music – be it bossa nova or hip hop – is always playing in the background
The artist’s work is guided by a deep appreciation of the rhythms of the natural world. Ahead of his presentation at the Venice Biennale in the Canadian Pavilion, he talks about how he has grown as an artist
The textile artist Amina Agueznay talks to Apollo about representing her country in its first appearance among the national pavilions at the biennial
Scott, who has led the museum since 2017, talks to Apollo about her favourite works from the collection and how to get new audiences into Old Masters
