How August Sander faced up to modern times
By turning social types into individuals, the photographer inspired many of his contemporaries and shaped how we see the 20th-century
What artists are really doing when they take up residencies
Recent initiatives are expanding on the traditional model of patronage through community engagement, cross-disciplinary collaboration and mentorship schemes
Shifting sensibilities – how plein-air painting became all the rage
Once overlooked by both artists and collectors, the urgency of landscape studies holds an obvious appeal for modern audiences
Henry Moore’s hoarding habits
The British sculptor’s monumental, minimal forms drew influence from his wide-ranging collection of ethnographic artefacts
The photographers who are obsessed with the passing of time in Turkey
Bruno Vandermeulen and Danny Veys use 19th-century processes to bring a very modern sensibility to archaeological sites in Anatolia
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In the studio with… Mariana Castillo Deball
The Mexican artist’s studio is filled with books and tiny pieces of detritus that have fallen off her artworks or that she finds on her travels
How Vernon Lee kept her finger on the pulse of gallery-goers
Long before the invention of the visitor-response survey, the writer was curious about how works of art affected their viewers
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In the studio with… Samson Kambalu
At Modern Art Oxford, the artist has set the stage for a ceremony initiating visitors into a utopian world of racial justice
In the studio with… Arthur Timothy
The UK-based painter opens the door on his studio in Bath – where he sometimes dons a suit to work, he says, if not a tie
July/August 2022
• The Russian artists making a stand against the war
• An interview with Gabriele Finaldi, director of the National Gallery
• The miniature marvels of Charles Paget Wade
• A Yoruba masterpiece in focus
Plus: London’s art market after Brexit, the Huntington Library comes up to speed, the beauty of banality, and reviews of Maillol’s sculptures, gilded manuscripts and Van Leo’s photographs of Cairo
Beyoncé remixes the Renaissance
The pop star’s latest album contains fewer treats for art-history buffs than its title promises – but Rakewell is too busy dancing to care
Tall tale: Gustave Eiffel and his tower get the big-screen treatment
Romain Duris cuts a dash in a lavish French film about the engineer, but it’s the tower that’s the true star
The art of bodysnatching in Edinburgh
There’s no disguising the gruesomeness of the trade that underpinned the scientific advances of the 18th century
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The contemporary artists who are paying their respects to Piranesi
Piranesi may have fallen out with his Irish patron but, in modern-day Dublin, artists inspired by his example are looking to mend fences
In the studio with… Nikita Gale
Downtime is important for the artist in downtown Los Angeles, who has a figurine from a children’s television show keep watch over their studio
Putting a name to one of Glyn Philpot’s most mysterious faces
Who is the subject of the painter’s cryptically titled ‘Madame C d’A’? Tessa Murdoch looks for clues among his most progressive patrons
Assassination attempts – how Joan Miró set out to destroy painting
The artist produced some of his most innovative and political works at the age of 80 by burning and torturing his canvases and also turning to textiles
‘Littered with stumbling blocks’ – Cornelia Parker at Tate Britain, reviewed
The British artist’s retrospective might appear visually weighty, but the work pays little attention to the history and politics of the materials used
Can the UK art market bounce back?
As the UK falls behind in the global market, Jane Morris considers the route to reclaiming its competitive status
Making a stand – the Russian artists saying no to war
Judging where to draw the line between maintaining a safe silence and tacitly endorsing the war in Ukraine has become a pressing matter
Ishiuchi Miyako
Stills gallery in Edinburgh hosts the Japanese post-war photographer’s first solo exhibition in Scotland
John McLean: Flare
Colourful works by the late abstract painter are the focus of the Fine Art Society’s exhibition
Céline Condorelli / After Work
The London-based artist’s first major survey features recent installation works and a collaborative film project
Daniel Silver: Looking
An expectant audience of ceramic busts forms the centrepiece of David Silver’s solo exhibition at the Fruitmarket gallery in Edinburgh
When it comes to restitution, UK museums should be careful what they wish for
The V&A’s director Tristram Hunt has floated the idea of changing the law to allow national museums to make permanent returns. Robert Hewison advises treading very carefully