Apollo Magazine

The Muse Room

The Apollo Blog

The Van Gogh Museum in Amsterdam.

Editor’s Letter: The single-artist museum

The single-artist museum

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View of Robert Ellsworth’s 22-room apartment on Fifth Avenue, Manhattan.

Market Preview: March 2015

Susan Moore previews New York sales in the March issue of Apollo

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'Sir Joshua Reynolds' (c. 1747-49), Joshua Reynolds.

Diary: Joshua Reynolds at the Wallace Collection

Mark Hallett on his long-term relationship with Joshua Reynolds

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Graham W. J. Beal

Civic Dues: Graham W.J. Beal

The Detroit Institute of Arts has known hard times in recent years. As he prepares to retire, director Graham W.J. Beal reflects on the museum’s recent struggles and successes

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A 1989 poster in the 'Guerrilla Girls Talk Back' series, commissioned by the Public Art Fund of New York, which rejected it before the group paid for it to appear on buses.

Inquiry: Wall Flowers – women in historical art collections

There are very few women in historical art collections, so how can museums address this imbalance in their permanent displays and temporary exhibitions?

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The Finnish artist Antti Laitinen (left) foraging in the Somerniemi woods northwest of Helsinki

Letter from Helsinki: Finland’s changing art scene

Tom Jeffreys on the changing nature of Finland’s art scene

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The Scheide Library's autograph manuscript of Cantata 33 dates from 1724, Bach's second year as cantor at St. Thomas Church in Leipzig, Germany. Photo by Natasha D'Schommer

Acquisitions of the Month: February 2015

From the first printed bibles to contemporary Inuit sculpture and astrophotography…

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'Mariana Castillo Deball: Parergon.' Installation view at the Hamburger Bahnhof - Museum für Gegenwart Bruns

Muse Reviews: 1 March

On Kawara at the Guggenheim New York; Mariana Castillo Deball at the Hamburger Bahnhof, Berlin; Leon Underwood at Pallant House; Mackintosh at RIBA

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(Birmingham, Alabama, United States of America, December 1965), Bob Fitch.

Review: ‘Human Rights Human Wrongs’ at The Photographers’ Gallery

Can photography influence social and political events, or just record them?

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(1839), Asher B. Durand.

The Week’s Muse: 28 February

View Festival of Art History; the Christie’s purchase of Collectrium; Mark Scala on Telling Tales

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