Past Issue
October 2019
• The crowded scenes of William Hogarth
• Are curators getting enough credit?
• An interview with Kiki Smith
• Derek Jarman’s visions of England
Plus: How to show Rembrandt in his best light, previews of TEFAF New York Fall and Frieze Masters, and reviews of the Danish Golden Age in Copenhagen and Marlene Dumas’s take on Shakespeare’s Venus and Adonis
Inside this issue
Past issues
June 2024
Napoleon Bonaparte | Caspar David Friedrich | the Impressionists
May 2024
The National Gallery | Alvaro Barrington | Art and the oil industry
April 2024
Immersive art | Keith Haring | Venice Biennale
March 2024
Willem de Kooning | Angelica Kauffman | Laure Prouvost
More from Apollo
‘My art’s got to be a carnival, I’m there with you’ – an interview with Alvaro Barrington
Ahead of his Tate Britain commission, the artist tells Apollo about being inspired by Tupac and Cy Twombly and wanting to involve communities in everything he makes
Picnicking with the Impressionists
Comparing the spreads on offer in scenes by Manet and Monet suggests that eating outdoors offered the artists a very particular kind of freedom
Golden Boy goes home – but where is that, exactly?
The Met’s return of a bronze statue to Thailand and the reaction in Cambodia shows the difficulty of recovering the origins of looted objects
‘Crazed egomaniacs who want to subjugate us’ – a brief history of architects in film
Hollywood films are full of characters who design buildings for a living, but how well do they reflect the realities of the profession?