Past Issue
October 2019
• The crowded scenes of William Hogarth
• Are curators getting enough credit?
• An interview with Kiki Smith
• Derek Jarman’s visions of England
Plus: How to show Rembrandt in his best light, previews of TEFAF New York Fall and Frieze Masters, and reviews of the Danish Golden Age in Copenhagen and Marlene Dumas’s take on Shakespeare’s Venus and Adonis
Inside this issue
Past issues
February 2020
Don McCullin | Etruscan art | Ingres
January 2020
German ‘trophy art | Egyptian art | Rose Wylie
December 2019
The Apollo Awards 2019 | Giulio Romano | Watteau
November 2019
Peabody Essex Museum | Betye Saar | Medieval Ethiopia
More from Apollo
‘Frustrate the Feminine Fanatics’ – how women overcame their critics at Cambridge University
It is 150 years since women first arrived at Cambridge – and the fight for equality has taken almost as long
Eye of the beholder – how the Prophet Muhammad has been depicted through the centuries
Museums have avoided displaying images of the Prophet in recent years – but might this not do a disservice to the heritage of Islam?
Haul of shame – the ‘trophy art’ taken from Germany by the Red Army
Their existence is no longer a secret, but the status of many of the works seized after the Second World War remains unclear
Sister act – Plautilla Nelli and the painter nuns of 16th-century Florence
The Dominican nun led a flourishing workshop in the convent of Santa Caterina – as her recently restored Last Supper shows