FINAL WEEK
Bridget Riley: The Curve Paintings 1961–2014 surveys the artist’s use of the curve motif in a career spanning over 50 years. The show launches a year of celebrations marking 80 years of the Pavilion as one of the first and most significant modernist public buildings in the UK. Click here for our review of the show and an introduction from the artist.
Suzanne Valadon’s shifting gaze