The work of artist David Hartt (Canadian, born 1967) investigates the specificity of place. By examining the culture and built environment of a given locale, Hartt observes how the needs and values of communities form, manifest, and change over time.
For ‘Interval’, Hartt selected two sites of relative economic and geographic isolation: Whitehorse in the Canadian Yukon and Sakhalin Island, a Russian territory at the tip of the Japanese archipelago. The exhibition consists of essayistic films and photographs shot in both places. Accompanying these are a score by composer Mitchell Akiyama and a curtain wall structure simulating the reflective exterior of the Bonaventure Hotel in Los Angeles, a postmodernist icon and the initial venue for this project.
Suzanne Valadon’s shifting gaze