German and Central European Art, 1890–1990
In the years before World War I, Expressionism was a term vanguard art circles in France, Germany, and Central Europe used to denote various modern art movements that arose after Impressionism. Whether figurative or abstract, pre-war Expressionism was foremost anti-naturalist in style and idealist in content. Utilizing simplified forms, distorted details, and unnatural colors, Expressionist artists sought to penetrate to the essence of outer appearances to elicit an emotional response from the viewer. For such artists, exaggeration expressed their inner responses to the visual world around them, whether in the service of utopian idealism or to rebut contemporary social mores and injustices. Read more.
Suzanne Valadon’s shifting gaze