For her largest show in the UK to date – titled ‘Strange Attractors’ after a mathematical concept relating to chaos theory – the South Korean sculptor Haegue Yang has created an environment made out of industrial and craft objects. Free-standing architectural elements span the main galleries of Tate St Ives and incorporate geometric patterns from Filipino textiles; they are accompanied by collages and lacquer paintings. Find out more from the Tate’s website.
Preview below | View Apollo’s Art Diary here
The Intermediate – Tilted Bushy Lumpy Bumpy (2016), Haegue Yang. Photo: Studio Haegue Yang
Sonic Half Moon Type III – Large Light # 22 (2015), Haegue Yang. Photo: Florian Kleinefenn; courtesy the artist
Non-Indépliables, nues (2010/20), Haegue Yang. Photo: Nick Ash; courtesy the artist
Fluidity on Nonagonal Crystal Matrix – Trustworthy #400 (2020), Haegue Yang. Photo: Nick Ash; courtesy of Galerie Chantal Crousel, Paris
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Suzanne Valadon’s shifting gaze