The computer is a ubiquitous component in today’s music studios and on stage. Using sound, text and image, the new collaboration between Glasgow-based artist filmmaker Luke Fowler (b. 1978) and Yorkshire-based multidisciplinary artist Mark Fell (b. 1966) examines the development of early computer music languages that have been obscured by more commercially viable options.
The exhibition looks at how the use of computers began to shape music-making through experimentation with unfamiliar techniques involving mathematical structures, data and unusual forms of interaction. These methods are buried deep in the archaeological sub strata of today’s electronic music. Working across visual arts and music, the display becomes a tool for local students to experiment with computer-based composition.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Suzanne Valadon’s shifting gaze