God’s Reptilian Finger
Ramírez-Figueroa’s practice is rooted in folklore and dreams, conspiracy theories, ancient mythology and magical practices. The Guatemalan Civil War (1960–96) is a recurring subject in his work, softened only by the at times absurd or humorous approach that colours many of his sculptures, performances and works on paper. He often appears semi-nude in his live works, his nakedness channeling a subcultural urge for liberty that is at odds with more stifling or conventional readings of the body. The two new sculptural installations that comprise God’s Reptilian Finger focus on the amateur archaeology practiced by both Mormon missionaries in Guatemala since 1947 and current followers of contemporary British conspiracy theorist David Icke.
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Suzanne Valadon’s shifting gaze