Words have figured in various guises throughout the history of art, frequently appearing in liturgical contexts including illuminated manuscripts in the Middle Ages or decoratively ornamented Qu’ranic writings from the Ottoman Empire. Throughout the 20th century, artists have used texts and lettering to reference a newly prevalent culture of mass production, to blur the lines between popular culture and fine art, and to upend seemingly simple meanings.
Word as Image II: Highlights from the Marmor Collection
Cantor Arts Center, Stanford University, CA
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