The exhibition takes a focused look at collages and works indebted to the collage tradition in the Menil Collection. While every artwork is, in a sense, precarious—from a fragile Kazimir Malevich painting to the ancient stone monuments that today suffer purposeful annihilation in parts of the Middle East—collage acknowledges precariousness as a foundational principle. Read more.
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Untitled (1961), John Chamberlain © John Chamberlain / Artists Rights Society (ARS), New York
Oval (c. 1948-54), Anne Ryan © Anne Ryan
II, 3 (1977), Richard Tuttle © Richard Tuttle
Mz 371 bacco (1922), Kurt Schwitters © Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Untitled (1959), Gene Charlton © Gene Charlton
National Spinning / Red / Spring (Cardboard) (1971), Robert Rauschenberg © Robert Rauschenberg Foundation. Artwork used with the permission of the Robert Rauschenberg Foundation. Photo: George Hixson
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Suzanne Valadon’s shifting gaze