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Podcast
The Apollo 40 under 40 podcast: Mohamad Hafez
The Syrian-born, US-based artist talks to Gabrielle Schwarz about his sculptural dioramas of cities ravaged by war – and offers a message of hope for the future
Art news daily
Missing Jacob Lawrence painting discovered in Manhattan apartment
The panel from one of the American painter’s great narrative series is the second to have shown up by chance in quick succession
The week in art news – Amnesty report points to massacre in Ethiopian town of Axum
Plus: Swiss museums reopen next week, while UK museums must wait until May | Experts confirm message on The Scream is by Munch | and National Gallery in London and Hugh Lane Gallery in Dublin update Hugh Lane bequest deal
Experts confirm Edvard Munch wrote secret message on The Scream
Experts have confirmed that the writing on The Scream is in Munch’s handwriting
Reviews
The Met’s Old Masters, seen in a new light
European paintings still occupy prime real estate on Fifth Avenue – but a redisplay offers fresh insight into the Met’s hallowed holdings
Vein glorious: an epic history of marble, reviewed
For millennia, marble was taken to be a gleaming reflection of the heavens – and, in Fabio Barry’s new book, it regains its divine mysteries
Getting round the Great Firewall of China
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A recent series of directives has sought to curtail the already fragile spaces for free expression in China. In June, a new cybersecurity law decreed that companies report the virtual activities of their employees. A month later came the news that Virtual Private Networks (VPNs) – a form of software that enables users to circumvent the restrictions of China’s ‘Great Firewall’ – will be outlawed by February 2018.
Currently only about one per cent of China’s estimated 731 million internet users employ a VPN, but many members of China’s creative community fear that these increased restrictions will have a profound impact on their work. Like their counterparts around the world, artists in China use social media to disseminate their work and connect with international audiences. China has a thriving net art and new media scene, supported by galleries and art centres, innovative online initiatives capitalising on the popularity of social media platforms, a major prize for net art, and a growing body of young artists graduating from the new media departments of China’s major art academies. These developments reflect China’s hyper-networked and mediatised art world and the increasingly mobile culture that has arisen alongside the country’s technological advances.
While many artists eschew overtly political themes, others have chosen to confront the complex and contradictory facets of China’s restricted web, producing provocative and challenging works which not only satirise the government’s cybersecurity initiatives, but also comment on the psychological effects of censorship. The artist Miao Ying, for example, refers to this as her ‘Stockholm syndrome’ approach to the internet in China. Other artists such as Xu Wenkai (Aaajiao) strive to make the mechanisms of the Great Firewall visible, exposing the fault lines between censorship and self-expression. One of the regime’s fiercest critics is obviously Ai Weiwei, who, earlier this year wrote a polemic about the perils of self-censorship, calling for others to reject the ‘China model’ of development, which has promoted economic ascendancy at the cost of political freedom.
Recent developments illustrate that we would do well to heed these criticisms. Cambridge University Press briefly decided to block access in China to over 300 articles from the China Quarterly, one of the world’s leading China Studies journals, at the behest of Chinese censors, before eventually reversing the decision. As China expands its global engagement, seeking to reinvent itself as a 21st-century superpower, the long arm of censorship doesn’t just affect artists and writers within the country itself, but also has serious ramifications beyond China’s borders.
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