For her first solo and institutional presentation in the United States, Cally Spooner (b. 1983, Ascot, UK) will produce a new installation for the New Museum’s Lobby Gallery. ‘On False Tears and Outsourcing’ will comprise a series of architectural additions to the gallery space and the presence of a group of dancers who will respond to conflicting choreographic instructions: to stay intimately bound together while remaining fiercely separate. Read more.
Subscribe to the Apollo newsletter
In the news
The discovery of a noose at the National Museum of African American History and Culture is a grim justification of its existence
Moscow’s Khrushchev-era apartment blocks are hardly good housing, but their residents are unlikely to get a better replacement
The UK’s City of Culture is home to a selection of great public buildings – from a late gothic masterpiece, to a state of the art ‘subquarium’