Doris Salcedo uses everyday materials such as textiles and furniture, creating sculptural installations that serve as haunting evocations of loss and mourning. These are often rooted in specific historical events of political violence, influenced by the artist’s own experience growing up in conflict-ridden Colombia. This first solo show in Ireland includes a series of recent works that relate to the theme of sexual violence. Find out more from IMMA’s website.
Preview the exhibition below | View Apollo’s Art Diary here
Plegaria Muda (2008–10), Doris Salcedo. Courtesy White Cube; © the artist
A Flor de Piel (2011–12), Doris Salcedo. Photo: Ben Westoby; courtesy White Cube; © the artist
Disremembered VIII (2016), Doris Salcedo. Courtesy White Cube; © the artist
Tabula Rasa III (2018), Doris Salcedo. Photo: Olli Hammick; courtesy White Cube; © the artist
Atrabiliarios (1996), Doris Salcedo. Courtesy White Cube; © the artist
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Why are fathers so absent from art history?