Azure Shadow, Transparency
Since the 1970s, Spalletti has developed a pared-back language of sculpture and painting with his evenly painted monochrome surfaces, which he uses to explore the relationships between colour, light, geometry and architecture. This exhibition includes some 40 works, both old and recent, which have been arranged across three floors of the Nouveau Musée National de Monaco’s Villa Paloma. Find out more from the museum’s website.
Preview the exhibition below | View Apollo’s Art Diary here
Angelo astuto (2003), Ettore Spalletti, installation at Stiftung Schloss Dyck, Juchen, 2003. Photo: Jörg Hejkal
Aurora (1974), Ettore Spalleti. Photo: Werner J. Hannappel
View of Ettore Spalletti’s studio, Cappelle sul Tavo-Pescura, 2017. Photo: Werner J. Hannappel
View of Ettore Spalletti’s studio, Cappelle sul Tavo-Pescura, 2013. Photo: Werner J. Hannappel
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](http://www.apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
Has the Fitzwilliam lost the hang of things?