Nadim Abbas (b. 1980, Hong Kong) constructs complex set pieces that examine the technohistorical properties of images and their precarious relationship to reality. In Abbas’ installations, the psychology of the urban dweller is often translated into a psychodrama where objects exist in an ambiguous relationship with their own image, and bodies succumb to the seduction of space. Read more.
Sign up to Apollo newsletters and special offers
In the news
Over the centuries Notre-Dame de Paris has become much more than a place of worship – it is a symbol of a nation
The status of the Byzantine church turned mosque turned museum shows no sign of being settled – but perhaps it shouldn’t be