Francesco Botticini’s Assumption of the Virgin has bewildered scholars for centuries. ‘Visions of Paradise: Botticini’s Palmieri Altarpiece’ showcases new research on this monumental painting, clarifying long-perpetuated misunderstandings about its authorship, date, original location, and iconography. Read more.
Visions of Paradise: Botticini’s Palmieri Altarpiece
National Gallery, London
The Masterpiece podcast: episode three
This episode explores an ancient funeral stele, Marie Antoinette’s breast bowl, and how digital technologies are helping to preserve Egyptian heritage sites
‘She changed how we encounter sculpture’ – remembering Phyllida Barlow (1944–2023)