Wearing’s monumental photographic installation Rock ‘n’ Roll 70 (2015) is a site-specific commission for the Sandra and Gerald Fineberg Art Wall, and the first presentation in Boston of the celebrated artist’s work. Using a self-portrait, Wearing asked individuals working with age-progressing technology to digitally enhance portraits of the artist to see what she might look like at age 70. Printed as wallpaper, these aged portraits show the diversity of possibilities of the artist’s future self. Read more.
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The site of Emmeline Pankhurst’s statue in Westminster was chosen by her fellow suffragists – there is no reason for it to change
The sculptor has made quietly effective political work in the past. Will he do so again next year?