In his works of the past fifteen years, John Gerrard (b. 1974, Dublin) has pioneered the use of post-cinematic, virtual space through complex algorithms that generate imagery in ‘real time’. Deceptively similar to film or video, his works are simulations: virtual, graphical worlds that exist outside of physical time. Read more.
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The site of Emmeline Pankhurst’s statue in Westminster was chosen by her fellow suffragists – there is no reason for it to change
The sculptor has made quietly effective political work in the past. Will he do so again next year?